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Distributed Immersive Performance
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Distributed Immersive Performance (DIP)
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June 2 & 3, 2003: IMSC was hosting its bi-annual Scientific Advisory
Board (SAB) meeting and its annual NSF Site Visit. We demonstrated our
Distributed Immersive Performance system for the first time. The photo
below shows Dennis Thurmond (Accordion) from USC's Thornton School of Music and Elaine Chew (Piano,
remotely on screen) performing together "Le Grand Tango" by Astor Piazolla.
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References and Related Work
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I. Performances
September 24, 1998.
Shinji Kanki: "Mélange à trois" (Blue - Version III)
INTERNET
CONCERT. Audio-only three-way collaboration: For cyber string trio on the
Internet by means of live-media streaming technology. The violinist is in
Warsaw, the viola player in Helsinki and the cellist in Oslo. The geographic
distances: Helsinki to Warsaw 950 km, Warsaw to Oslo 1050 km and Oslo to
Helsinki 800 km. Document contains details of technology for stabilizing
network latency. Performing with latency appears to be part of the artistic
effect.
Masataka Goto: "A Distributed Cooperative System to Play MIDI
Instruments" Remote
Music Control Protocol (RMCP), which is an extension of MIDI protocol; it
supports information sharing by broadcast and time scheduling using time stamps,
for example. This system was implemented on workstations connected to Ethernet.
In our experience, several users were actually able to play an ensemble. "
Repetitive tonal and rythmic patterns (as in 12-bar blues) are used to help
synchronize the ensemble (see here).
Evaluations of latencies and the effect of latency are not available. Goto is a
leading expert in audio beat-detection and synchronization, so his work is well
worth noting.
McGill Advanced
Learnware Network (go to Reports). Their original goal was to create a
"shared reality" environment for music broadcast, collaborative music
performance and distance music education. Their focus through the various
documented milestones is on distance music education -- see here.
They are at milestone 7 -- their latest system incorporates realtime gesture
(pointing) recognition and context-sensitive video zoom. Milestone 3&4 focusses
on choice of video and network interface cards -- the good news is we now have
better equipment available...
Stanford CCRMA's SOUNDWIRE
group. There are MPEG3 files of their June 13, 2002, jam session with the McGill
group. The best of the three samples is the first, a jazz piece apparently
titled "My Romance" -- the performers appear to be having some difficulties
keeping time. The other two are a bit messy, the last even sounds random.
Schuett's 2002 thesis (found by Chris) comes from this group -- he measures
latencies in coordinating the clapping of a pair of simple rhythms.
GDS (Global Delayed Session) Music --- new improvisational music with
network latency Yoichi
Nagashima. Why worry about latency? Make it a feature!
And of course, we are all familiar with the Internet2
event.
This page has
some nice references to distributed music environments dating back to 1999.
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Relevant Papers
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Get the PDF reader from
Adobe.
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Loss Concealment for Multi-Channel Streaming Audio.
R. Sinha, C. Papadopoulos and C. Kyriakakis.
Presented at the workshop on Network and Operating Systems Support for Digital
Audio and Video (NOSSDAV 2003),
Monterey, California, June 1-3, 2003.
Abstract
PDF (571 KB)
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Retransmission-Based Error Control in a Many-to-Many Client-Server
Environment.
Roger Zimmermann, Kun Fu, Nitin Nahata, and Cyrus Shahabi.
Presentated at the SPIE Conference on Multimedia Computing and
Networking 2003 (MMCN 2003),
Santa Clara, California, January 29-31, 2003.
Abstract
Postscript (272 KB)
PDF (1,380 KB)
Maintained by
Roger Zimmermann
Last updated: Wednesday February 4, 2004.
All Rights Reserved © NUS
Data Management Research Laboratory 1999 - 2007.
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